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Category Archives: Contemporary Reception

“Our Love is Here to Stay”: Language, Gender, Brotherly Love, and Sexual Politics

“ Love is Here to Stay” has been a celebrated jazz standard for more than six decades, and it is most often treated as a straightforward love ballad. However, the lack of gendered language in its lyrics opens up the possibility for alternative interpretations, as well as creative and political performances. By Megan Hill, Ph.D. The presence of gendered language (he/she/him/her, man/woman, etc.) in song lyrics provides the opportunity for people concerned with gender and sexuality politics to perform the song in order to make political statements, regardless of whether or not the song’s composer and/or lyricist had such politics […]