Join us as we express our thanks to Alfred and Jane Wolin for their generous gift to the Gershwin Initiative. The Gershwin Initiative is pleased to announce the “Alfred and Jane Wolin Managing Editorship.” Supported by a three-year gift, the named position assures the continuation of this key leadership position and thus the continuing productivity of the George and Ira Gershwin Critical Edition. “I am so grateful for the Wolin’s generous support,” said professor Mark Clague, director of the U-M Gershwin Initiative. “Their gift recognizes not only the importance of the Gershwin Critical Edition to the brothers’ legacy and American […]

Ethel Merman, one of Broadway’s most legendary performers, got her big break when she starred in the Gershwin’s 1930 musical Girl Crazy. Read on to learn more about her incredible career, and click here to learn more about the song that started it all: “I Got Rhythm.” By Rachel Fernandes Ethel Merman (1908–1984) is one of the most well-known Broadway actresses of all time. But did you know that the Gershwin’s musical Girl Crazy was the springboard for her incredible career? An article from Women’s Wear Daily, published the day after the premiere of Girl Crazy, wrote this about Ethel’s […]

Michael Owen has spent the majority of his career working closely with the archival materials of George and Ira Gershwin, with an emphasis on the life and work of the lyricist side of the songwriting team. He is currently writing what he hopes will be a landmark biography of the eldest Gershwin brother. In this interview, Michael describes his journey from archivist to biographer and talks about his upcoming book. By Rachel Fernandes A few months ago, I had the incredible opportunity to interview Michael Owen, the consulting historian and archivist for the Ira and Leonore Gershwin Trusts, located in […]

In 1916, during Tin Pan Alley’s “Hawaiian Craze”, Mele Kalikimaka was indeed the thing to say!  George Gershwin spent his teenage years, from 1914-1917, cutting his teeth as a song plugger for the publisher Jerome H. Remick & Co. in Tin Pan Alley.  In the early twentieth century, Tin Pan Alley was the hotbed of American popular song composition, churning out hit after hit by composers Gershwin admired. Many successful composers, like Irving Berlin and Jerome Kern, had similarly begun their careers as song pluggers or house pianists. Tin Pan Alley songs are notorious for their use and appropriation of […]

Gershwin’s Rhapsody in Blue was a smashing success, even though many musicians and critics were aware of its composer’s inexperience writing more substantial orchestral works. So what might its warm reception be attributed to? More often than not, context is everything. . . Rhapsody in Blue has been memorialized as the piece in which George Gershwin broke the mold by merging popular idioms with an exploration of art music’s longer and more substantial form. What many don’t realize, however, is that his premiere’s considerable success may have largely been thanks to its timing, for when should Rhapsody in Blue have […]

Intent on studying the art of composition, Gershwin sought out lessons in harmony, orchestration, and counterpoint from some of the renowned composers of his time. What did some of those lessons really look like? George Gershwin may have been determined to develop into a well-rounded composer, but his path was by no means easy. His early career in popular songwriting and explorations of jazz made learning the notoriously strict rules of counterpoint and harmony tedious at best. Gershwin’s one-time teacher Henry Cowell recalled that the young composer “thought the rules of counterpoint were just about the silliest things he had […]

George Gershwin’s career was concurrent with several bold Modernist movements, one of which was Futurism. On December 4, 1926, composer and movement had a moment of overlap, as Gershwin premiered his piano preludes at a “futurist” recital. Was this “futurist” concert just a bit of press hype, or did Gershwin really belong in this group of composers? By Sarah Sisk George Gershwin, composer: modern, daring, innovative, bursting with new traditions for a new age of music. But did that make him a Futurist? The headline for a December 5, 1926 New York Times review concerning a recital at Roosevelt Hall […]

George Gershwin rubbed elbows with some interesting personalities throughout his rise to stardom. Few, however, were quite as compelling as the London socialite and heiress, Lady Edwina Mountbatten. By Sarah Sisk It was 1925, and a particular Gershwin tune was looking to be in pretty sad shape. “The Man I Love,” a George-and-Ira collaboration, began life as a misfit a few years prior. It eventually found a home in their 1924 musical Lady Be Good!, only to be promptly dropped due to lack of audience response. But “The Man I Love” was soon gifted a second chance when a friend […]

An American in Paris: The George and Ira Gershwin Critical Edition from U-M Music, Theatre & Dance on Vimeo. Love An American in Paris? Check out this new video from the University of Michigan’s School of Music, Theatre & Dance and the Gershwin Initiative about our new critical edition!

You’ve seen us hard at work on Instagram and Facebook, and may have even heard a recent test performance or a premiere of one of our critical editions. But what exactly does the Gershwin Initiative do? Today, we talk about the behind-the-scenes work of creating a critical edition that’s both scholarly and playable. By Allison Chu     The Gershwin Initiative is an ongoing scholarly effort charged with creating the first critical editions of George and Ira Gershwin’s works. Typical editions of a musical work may have changes that are rarely explained or made explicit, and may be made without consideration […]