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Posts By: Gershwin Blog Team

U-M ORCHESTRA TO PERFORM NEW CRITICAL EDITIONS OF GERSHWIN MASTERPIECES

Today we’d like to share the wonderful piece Marilou Carlin wrote to feature our upcoming test performenace here in Ann Arbor.  This story first featured on the UM Arts and Culture page, which is well worth a visit! September 15, 2016 By Marilou Carlin George Gershwin (left), James Rosenberg, percussionist for Cincinnati Symphony (center), and tenor Richard Crooks (right), pose with taxi horns from “An American in Paris” on February 28, 1929. Photo courtesy the Ira & Leonore Gershwin Trusts.   The University Symphony Orchestra at the University of Michigan will perform two George Gershwin masterpieces—”An American in Paris” (1928) and “Concerto in F” (1925)—in new critical editions that reveal, for the first time in decades, the composer’s original intent for the […]

From Flop to Top: The Story of “I’ve Got a Crush On You”

  George and Ira Gershwin’s song “I’ve Got a Crush on You” is arguably one of their most famous creations. However, few people know that what made the song a hit was a change from a fast-tempo, Broadway dance piece into a leisurely, sentimental ballad. By: Rachel Fernandes “I’ve Got a Crush on You” I’ve got a crush on you, sweetie pie All the day and night time give me sigh I never had the least notion that I could fall with so much emotion Could you coo, could you care? For a cunning cottage we could share The world […]

Farewells, Photographs, and Affections: A letter from Ira to DuBose

  After George Gershwin’s death, Ira writes a letter to DuBose Heyward passing along his and George’s respect and affection for the author.  Take a look at Ira’s letter of August 2, 1937, to DuBose, held at the South Carolina Historical Society. By Frances Sobolak By the middle of 1937, just shy of two years after the premiere of Porgy and Bess, George Gershwin’s growing brain tumor, undetected at the time, was causing him severe headaches and fainting spells. On July 11, after having fallen into a coma two days before, George underwent extensive brain surgery—but the 38-year-old composer passed […]

The First Memorials: Early Obituaries Struggled to Conceptualize George Gershwin’s Legacy

By Sarah Sisk The startling news was emblazoned on the front page of the New York Times on Monday, July 12, 1937. George Gershwin had died that Sunday despite an emergency operation to remove a brain tumor and save the 38-year-old composer’s life. The news came as a complete shock: while he had suffered from what was deemed a “nervous breakdown” in the weeks preceding, the real source of his ailment was discovered in his final hours, and far too late. In the days and weeks to follow, obituaries cropped up in newspapers across the country, as reporters and columnists […]

You[Tube] Can’t Take That Away From Me: New Video from Piano Dedication Concert Posted on Our YouTube Channel

  Just a brief post today to highlight some new videos from the U-M Gershwin Piano Dedication concert that are now up on our YouTube channel. We are so pleased to have Gershwin’s priceless instrument here at U-M where students perform on it regularly, and will be releasing more footage from the concert in the weeks to come. Today we have two videos for you to enjoy featuring two of the Gershwins’ beloved songs: “You Can’t Take That Away From Me” from Shall We Dance (1937), and “My Man’s Gone Now” from Porgy and Bess (1935). “You Can’t Take That […]

Lady Be Good! The Making of the Gershwin Musical Comedy Machine

George and Ira Gershwin were enjoying increasing success in the early 1920s, but they had yet to write a hit show together. Lady Be Good is the story of how a single show changed the future of their careers and the future of Broadway’s musical theater. By Sarah Sisk 1924 was a good year for the Gershwin brothers. That February had seen the premiere and subsequent popular success of George Gershwin’s Rhapsody in Blue. It was also the year that Ira Gershwin, who had been working with George and other composers to write song lyrics for musical theater, decided to […]

George Gershwin the Painter

  In this post, we introduce guest writer Richie Gerber.  Richie has written previously about Gershwin in his book JAZZ: America’s Gift ~ From Its Birth to George Gershwin’s Rhapsody in Blue & Beyond and here shares with us some thoughts on Gershwin’s paintings. “I noticed especially how he tried to supply to his painting the same warmth, enthusiasm and power that characterized his music.” – Henry Botkin (Armitage, 1938) Whenever George Gershwin’s name is mentioned, without exception everyone thinks—musical genius. Few are aware that he was an exceptional painter as well. Indeed, he was one of a rare few that excelled […]

From the Archives: Operatic Rights for Porgy and Bess

Having piqued the interest of Porgy author DuBose Heyward, George and DuBose correspond to secure the operatic rights of the pending opera. Take a look at George’s May 20th, 1932, letter to DuBose provided by the South Carolina Historical Society.  By Frances Sobolak 1932 was a productive year for the Gershwins. The Boston Symphony Orchestra premiered George’s Second Rhapsody in late January, George composed Cuban Overture in June and July, and the brothers’ Of Thee I Sing became the first musical to win a Pulitzer Prize. In the midst of all this, George and Porgy author DuBose Heyward were working towards […]

Nice Work if You Can Get It: The Gershwin Initiative Provides an Unforgettable Research Experience for Undergraduates

Sarah and Frances, two undergraduates who joined the Gershwin team through the U-M UROP program, would like to step back and say a word about their journey into the world of research with the Gershwin Initiative over the 2015–16 school year.     What’s UROP, Exactly? UROP, the Undergraduate Research Opportunity Program, has been introducing undergraduate students to hands-on research experience at U-M for twenty-five years. Through it, students can assist with scholarly research projects alongside U-M professors and faculty, as well as graduate students and undergraduate peers. We, Frances and Sarah, both found a place as research assistants with the […]

Behind the Edition: Education at the Initiative

Kristen Clough talks about our Public Musicology and Education Outreach program and the role our undergraduate researchers play in this project.   Good morning readers! Today I wanted to take a moment to let you in on some of the things going on behind the scenes at the Gershwin Initiative. In addition to our primary goal–creating our critical editions–we have a mission to foster Gershwin scholarship and music scholarship at our university, in our community, and in our K-12 schools.  We call this our Public Musicology and Education Outreach program, through which we seek to blend our musicological research with […]

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