It’s now April 2014 and we’re getting hints of Spring everywhere.  Aside from the welcome snowmelt, we’re seeing a little more green in the expanses of lawn across campus, and birds are chirping from the barren trees, claiming territory for the spring rituals of nest building and mating.  What a time of renewal! Such is the experience for the Gershwin Model A as well!  We now have strings!  And new keys! And a new hammer action!  It definitely is rebirth, a remaking of greatness. I visited PianoCrafters on Tuesday, April 1 to inspect the piano with its new strings, keyboard […]

As the newly appointed editor-in-chief of the George and Ira Gershwin Critical Edition, I can’t believe my good fortune — to lead the team of scholars charged with the task of restoring and clarifying our understanding of the oeuvre of the Gershwin Brothers. It’s a privilege and honor to take on this responsibility and to contribute my passion for music and research to the task of making the works of George and Ira Gershwin available in full scholarly editions and for the first time. Most surprising to many, however, may be that this work needs to be done at all. […]

Inspired by the improvisations of U-M jazz piano major Gil Chapman (see “Flash of Gershwin” in the Listen gallery), we asked U-M SMTD Comp-Theory Ph.D. student Michael Schachter to create a musical weave of George Gershwin’s iconic Rhapsody in Blue with the University of Michigan’s own theme — our fight song “The Victors.” Michael took up the challenge with skill, artistry and passion, as he reported to me via email: “I’ve been a big George Gershwin fan as long as I can remember.  His “Three Preludes for Piano” were my first entrée into classical music, and his perhaps unmatched ability […]